By Jack Shanley
David Fincher’s “Se7en” hits its 30-year anniversary this year and with it also coming back to cinemas in a stunning IMAX screening, its sure to be a fantastic cinematic experience. ‘Seven’ is a haunting exploration of morality, sin, and the depths of human depravity. This 1995 neo-noir thriller stars Brad Pitt as Detective David Mills, a hot-headed young cop, and Morgan Freeman as Detective William Somerset, a seasoned veteran on the brink of retirement. Together, they are tasked with hunting down a serial killer whose murders are inspired by the Seven Deadly Sins.
The film’s dark, gritty atmosphere is perfectly captured by Fincher’s meticulous direction and Andrew Howard’s stunning cinematography. The rain-soaked streets of a decaying city provide a bleak backdrop for the horrifying crimes committed by the killer, known only as John Doe. Kevin Spacey delivers a chilling performance as Doe, a man who believes he is punishing sinners and cleansing the world of their corruption.
“Se7en” is a masterclass in suspense, with each new discovery leading to even greater horror. The film’s pacing is deliberate, building tension and dread as the detectives delve deeper into the killer’s twisted mind. The climax is a gut-wrenching confrontation that leaves a lasting impact.
While the film’s violence and disturbing subject matter may not be for everyone, “Se7en” is a powerful and thought-provoking cinematic experience. It is a timeless exploration of the darkness that lurks within humanity, and a testament to the enduring power of storytelling.
In all truth I’d recommend checking out ‘Seven’ and see what you think of it, I shall give it a score of 4 and a ½ stars. You can watch it today at selected cinemas throughout January or rent it off YouTube for €3.99. Director: David Fincher – Rating: R – Genre: Crime/Horror– Run Time: 2h 10m Language: English. For more film content please follow @movies4fanatics on Instagram.
By Jack Shanley
The Penguin series kicked off back in September but as it ended last month, I felt why not do a review of a series as appose to a movie for a change. The series for me from start to finish was absolutely fantastic. It slowly unfolded into an edge of your seat gangster series with an extraordinary set of characters. One of our own in Colin Farrell reprised his role as the titular character, delivering a tour-de-force performance that is both menacing and captivating. His transformation into the Penguin is nothing short of remarkable, with his physical appearance and mannerisms perfectly capturing the essence of the character. The supporting cast, including Cristin Milioti as Sofia Falcone and Rhenzy Feliz as a young Edward Nygma, also deliver very strong performances.
The series excels in its dark and atmospheric tone, immersing viewers in the seedy underbelly of Gotham City. The cinematography is stunning, capturing the city’s bleak beauty and the characters’ descent into darkness. The writing is sharp and engaging, with plenty of twists and turns to keep viewers hooked. The make-up and costume design is also spectacular with a wonderful score by the great Mick Giacchino.
However, “The Penguin” is not without its flaws. Some will argue the pacing can be uneven at times, with some episodes feeling slower than others, whereas I feel the first couple of episodes are just setting the tone before it kicks off into a big ball of chaos. Additionally, the series can be quite violent and disturbing, which may not be suitable for all viewers.In all truth I’d recommend checking out ‘The Penguin’ and see what you think of it, I shall give it a score of 4 stars. You can watch it today on Sky Atlantic. Creator: Lauren LeFranc– Rating: 15 – Genre: Drama/Crime – Run Time: 55 min per episode. Language: English, Italian. For more film content please follow @movies4fanatics on Instagram.
By Jack Shanley
Joker: Folie à Deux hit cinemas last month and was met with mixed reviews upon its release. While some praised its visual style and the performances of Joaquin Phoenix and Lady Gaga, others criticized its pacing, narrative, and overall tone. I happened to see it on the day of its release and had my own thoughts on one of the much-anticipated films of the year.
One of the primary criticisms levelled against the film was its lack of a clear narrative direction. While the first Joker film was a character study with a focused plot, Folie à Deux felt more like a series of disconnected vignettes. The film’s pacing was also a point of contention, with some viewers finding it slow and uneven.
Another common complaint was the film’s excessive use of musical numbers. While these sequences were visually striking, some felt that they detracted from the film’s overall tone and disrupted the narrative flow. Additionally, the film’s portrayal of mental illness was a source of debate, with some arguing that it was insensitive and exploitative.
Despite these criticisms, Joker: Folie à Deux was undoubtedly a visually impressive film. The cinematography was stunning, and the production design was top-notch. Phoenix and Gaga also delivered strong performances, although some felt that their characters were underdeveloped, at times I felt it was just Gaga on screen and not Harley Quinn.
Ultimately, whether or not Joker: Folie à Deux is a successful film is a matter of personal opinion. While it offers a visually striking and thought-provoking experience, its narrative shortcomings and controversial themes may alienate some viewers.
In all truth I’d recommend checking out Joker: Folie à Deux and see what you think of it, I shall give it a score of 2 stars. You can watch it today at your local cinema. Director: Todd Phillips – Rating: 15A – Genre: Musical/Thriller – Run Time: 2h 18m Language: English. For more film content please follow @movies4fanatics on Instagram.
By Jack Shanley
With the long-awaited reunion of Rock’n’roll stars Oasis, I felt it would be a great time to shine a light on one of the best music documentaries I’ve ever seen. Oasis: Supersonic is a nostalgic, exhilarating, and chaotic journey through the early years of one of the most iconic bands of the Britpop era. The storytelling is fast paced, much like the whirlwind journey Oasis experienced. With a great use of a mix of home videos, concert footage, and press clippings to illustrate the band’s trajectory.
The most compelling theme of Oasis: Supersonic is the tension between Noel and Liam Gallagher. Their contrasting personalities fuelled both the band’s creative output and their infamous feuds. Their dynamic is central to the narrative, as we witness their passionate collaborations and explosive arguments.
“Supersonic” showcases the band’s iconic performances, from intimate gigs to massive stadium shows, highlighting their undeniable stage presence and infectious energy. It also provides a glimpse into the band’s personal lives, exploring their friendships, rivalries, and the challenges they faced as they navigated the pressures of fame. It’s the idea of essentially a group of local lads brought up on a council estate with a battered acoustic guitar that took over the world of music, it’s just quiet amazing.
While the documentary primarily focuses on Oasis’s early success, it also hints at the band’s eventual decline. “Supersonic” is a must-watch for fans of Oasis and anyone interested in the history of British rock music. With a look into Noel’s genius songwriting, Liams Rock’n’roll charisma and the infamous Knebworth gigs, its truly a fascinating watch.
In all truth I’d recommend checking out Oasis: Supersonic and see what you think of it, I shall give it a score of Five stars. You can rent it on Amazon Prime Video for €3.49. Director: Mat Whitecross– Rating: R – Genre: Documentary/Drama – Run Time: 2h 2m Language: English. For more film content please follow @movies4fanatics on Instagram.
By Jack Shanley
Longlegs is a horror thriller that taps into the dread of being watched, following the classic yet effective trope of a mysterious killer with an unsettling aura. Directed by Osgood Perkins, known for his atmospheric and slow-burn approach to horror, Longlegs explores the intersection of the supernatural and the psychological with a narrative that keeps you guessing until the very end.
Nicolas Cage, who portrays the titular character, is mesmerizing as the enigmatic and unnerving Longlegs. His performance is a masterclass in controlled terror, with his eerie calmness and occasional bursts of unhinged behaviour. Cage’s ability to shift between charm and menace adds a layer of unpredictability that elevates the film’s tension. The supporting cast, including Maika Monroe and Alicia Witt, deliver solid performances, grounding the film in a grim reality that contrasts sharply with the more surreal elements of the plot.
The film’s pacing is deliberately slow, allowing the tension to build gradually. This choice may not resonate with viewers expecting a more fast-paced horror experience, but for those who appreciate a slow-burn, the payoff is well worth the wait. The cinematography enhances the unsettling atmosphere, with dim lighting and claustrophobic framing that leaves you feeling as though something sinister is always lurking just out of sight
Longlegs thrives on its atmosphere, creating a sense of unease that lingers long after the credits roll. It’s a film that isn’t afraid to leave questions unanswered, trusting the audience to piece together its fragmented and often disturbing narrative. While it may not be a crowd-pleaser for everyone, Longlegs is a haunting and memorable addition to the horror genre, particularly for those who relish ambiguity and psychological depth in their scares.
In all truth I’d recommend checking out Longlegs and see what you think of it, I shall give it a score of Four stars. You can watch it at your local cinema today. Director: Osgood Perkins – Rating: R – Genre: Horror/Crime – Run Time: 1h 41m Language: English. For more film content please follow @movies4fanatics on Instagram.
By Jack Shanley
Ti West caps off his deranged horror trilogy with a bang in “MaXXXine,” the most entertaining and violent entry yet. Mia Goth continues to shine as Maxine Minx, the tenacious survivor of the Texas massacre in “X” who now sets her sights on Hollywood stardom in the neon-drenched, cocaine-fuelled landscape of 1985.
West’s love letter to the era is impeccable. The grime, the synth soundtrack, and the lurid excess are all meticulously recreated, with a dash of “video nasty” aesthetics thrown in for good measure. Los Angeles transforms into a dangerous playground, with the Night Stalker real-life murders casting a long shadow and a copycat killer emerging from the darkness.
Goth is a revelation. She embodies Maxine’s ambition and vulnerability with equal intensity. We see her navigate the sleaze of peep shows and B-movie auditions with a steely resolve, all while haunted by the trauma of her past. The supporting cast is equally impressive, with Elizabeth Debicki as the demanding director who sees potential in Maxine, and a trio of detectives (Bobby Cannavale, Michelle Monaghan, and Kevin Bacon) adding a layer of suspense.
“MaXXXine” is a genre mashup, blending classic slasher elements with a dash of dark humour and a surprisingly poignant exploration of female ambition in a cutthroat industry. The kills are brutal and creative but in sense not all that necessary sometimes, they showcase West’s mastery of practical effects. However, the film doesn’t shy away from exploring the emotional toll of violence, particularly on Maxine.
The film isn’t without its flaws. The plot can be predictable at times, and some might find the constant barrage of 80s references a bit overwhelming. The film lacks a bit of a drive sometimes but is arguably one of the best in the trilogy.
In all truth I’d recommend checking out “MaXXXine” and see what you think of it, I shall give it a score of Three stars. You can watch it at your local cinema today. Director: Ti West– Rating: R – Genre: Horror/Suspense – Run Time: 1h 44m Language: English. For more film content please follow @movies4fanatics on Instagram.
By Jack Shanley
With Danny Boyle’s 90s classic ‘Trainspotting’ hitting cinemas once again for a stunning new 4k release, it was the fantastic opportunity to watch the Scottish masterpiece once again. While it dives headfirst into the Edinburgh heroin scene with shocking visuals and dark humour, it doesn’t glorify addiction nor drugs.
Instead, it pulsates with a chaotic energy, capturing the highs and the rock-bottom lows of a group of friends entangled in a destructive cycle. It’s this look into the world of drugs and addiction, the reliability of it and it essentially how it completely changes your perspective of life, that just never fails to intrigue me.
Ewan McGregor shines as Mark Renton, our unreliable narrator. He’s a charismatic addict who, despite the encouragement of his equally messed-up friends (hilariously portrayed by Ewen Bremner, Jonny Lee Miller, and Robert Carlyle), struggles to choose life over heroin.
Trainspotting doesn’t shy away from the grotesque. The infamous toilet scene is a brutal reminder of the physical toll addiction takes. Yet, Boyle masterfully weaves dark humour throughout. Renton’s internal monologue delivers witty social commentary, and the film’s surreal moments. A scene that just completely captures the essence of the film is when Renton takes his injection of heroin leading him to be dragged down the stairs into a taxi and further on to the hospital. Its just the lack of care and the thought of it being a regular occurrence that just grapples with you and makes you sympathise with him from a non-addict perspective.
The soundtrack throbs with Britpop energy, perfectly complementing the film’s frenetic pace. From Iggy Pop to Underworld, the music becomes another character, driving the narrative forward.
Trainspotting isn’t for the faint of heart. It’s a raw and unflinching portrayal of addiction, but it’s also a darkly funny and strangely hopeful film. Boyle’s direction is electric, the performances are phenomenal, the film’s message on choosing life over oblivion is undeniably powerful and the new 4k restoration looks phenomenal. In all truth I’d recommend checking out “Trainspotting” and see what you think of it, I shall give it a score of Five Stars. You can watch it at your local cinema today. Director: Danny Boyle– Rating: R – Genre: Crime/Drama– Run Time: 1h 34m Language: English. For more film content please follow @movies4fanatics on Instagram
By Jack Shanley
“Kingdom of the Planet of the Apes” picks up decades after the events of “War for the Planet of the Apes” with Caesar, the wise chimpanzee leader, a revered memory. Humanity has been ravaged by a virus, leaving a power vacuum filled by various ape communities. Enter Noa, a young gorilla raised on Caesar’s ideals of peace between species. His world is shattered by a brutal attack, setting him on a path of vengeance that unveils a brewing conflict within the ape society.
The film excels in its world-building. Gone are the lush, green landscapes; a sense of decay hangs over the overgrown ruins of human civilization. The ape settlements, particularly the technologically advanced underwater city, showcase the evolution of ape society.
The visuals are stunning, with sweeping vistas and detailed set design making the post-apocalyptic world both believable and captivating.
While the story lacks the emotional depth of the previous trilogy, it compensates with thrilling action sequences. Noa’s journey is punctuated by intense chases and battles, keeping the audience on the edge of their seats. The film also delves into themes of legacy and the struggle to maintain peace in a world yearning for conflict.
However, “Kingdom” stumbles slightly with its pacing. The middle act drags a bit, with some repetitive plot points. The film also throws in a few convenient plot devices to propel the story forward.
Despite these minor stumbles, the film shines in its central performance by Owen Teague as Noa. He portrays the character’s rage and grief with raw intensity, making Noa a compelling protagonist.
“Kingdom of the Planet of the Apes” might not reach the heights of its predecessors, but it’s a worthy successor that expands the franchise’s universe. With its stunning visuals, thrilling action, and thought-provoking themes, it’s a compelling addition to the “Planet of the Apes” saga, leaving viewers eager for the next chapter in this ever-evolving ape kingdom. In all truth I’d recommend checking out “Kingdom of the Planet of the Apes” and see what you think of it, I shall give it a score of Four Stars. You can watch it at your local cinema today.
Director: Wes Ball– Rating: 12A – Genre: Action/Sci-fi– Run Time: 2h 25m Language: English. For more film content please follow @movies4fanatics on Instagram.
By Jack Shanley
With this underrated classic hitting cinemas once again last month, it gave a fantastic opportunity to rewatch it and review it. After Hours directed by Martin Scorsese in 1985, is a darkly comedic exploration of one man’s surreal and nightmarish journey through the streets of New York City. With its frenetic pacing, eccentric characters, and Kafkaesque plot, the film immerses viewers in a world where every turn leads to increasingly bizarre and absurd situations. Set over the course of one long, eventful night, the story follows Paul Hackett (played by Griffin Dunne), a mild-mannered office worker who finds himself trapped in a series of misadventures after a chance encounter with a mysterious woman named Marcy (played by Rosanna Arquette). As Paul navigates the surreal landscape of downtown Manhattan, he encounters a colourful cast of characters, including eccentric artists, eccentric bartenders, and a vigilante mob, all of whom seem determined to thwart his attempts to return home. Scorsese’s direction is masterful in its ability to create and sustain a sense of escalating tension and unease. The film’s use of claustrophobic cinematography and discordant music adds to the feeling of paranoia and disorientation that permeates every scene. As Paul’s night goes from bad to worse, the audience is kept on the edge of their seats, never quite sure what twist or turn the story will take next. At its heart, After Hours is a black comedy that explores themes of alienation, urban isolation, and the absurdity of modern life. Paul’s descent into chaos serves as a darkly humorous commentary on the randomness and unpredictability of fate, as well as the often-absurd nature of human behaviour. The performances in After Hours are uniformly excellent, with Dunne delivering a standout performance as the hapless protagonist. His portrayal of Paul as a man caught in a Kafkaesque nightmare is both sympathetic and darkly funny, and he manages to convey a sense of mounting panic and desperation without ever veering into melodrama. In all truth I’d recommend checking out ‘After Hours’ and see what you think of it, I shall give it a score of Four Stars. You can buy ‘After Hours’ for €3.99 on YouTube. Director: Martin Scorsese – Rating: R – Genre: Comedy/Thriller – Run Time: 1h 37m Language: English. For more film content please follow @movies4fanatics on Instagram.
By Jack Shanley
Deep End is about British culture in London when the optimism of the “Swinging Sixties” started to fade. It’s a fantastic film that delves into the perspective of a young boy named Mike (John Moulder-Brown) and his obsession with not just women but essentially one woman in a coworker named Susan (Jane Asher). There is this infatuation that grows to pure obsession that I can’t help but get lost in. For me most of the truly great and rather interesting films all delve into the topic of obsession. It’s this mentality that someone is so focused on something or someone for instance that it becomes compulsive as they lose control of their emotions and never is it more evident than in Skolimowski’s Deep End. Most movies from the 70s showed the 60s as a bubble of shining positive thinking and star-studded youth developments. Skolimowski reveals the dark side of young peoples lives, how their lives are not important, and a sexual desire. Mike throughout the movie thinks about investigating the broken life and relationship of Susan, but it leads to his pure frustration getting him nowhere. When watching the film, you spend a lot of time taking in all the gorgeousness Skolimowski has on offer. His use of texture is fantastic. There is an amazing scene, towards the end of the movie, where Mike and Susan are lying on a bed of towels and sheets that are placed in such a way to foreshadow an underwater swirling effect seen later in the film The director’s diligence is amazing. The costumes in this film are also excellent. Deep End is a remarkably interesting movie. It is surprising that Skolimowski’s movie was not a big success at the time, although the studio didn’t promote it well enough. It’s a film that holds up to this day as an underrated classic. In all truth I’d recommend checking out Deep End and see what you think of it, I shall give it a score of Five Stars. You can buy Deep End for €10 on eBay. Director Jerzy Skolimowski – Rating: R – Genre: Romance/Comedy – Run Time: 1h 30m Language: English. For more film content please follow @movies4fanatics on Instagram.