By Jack Shanley
With this underrated classic hitting cinemas once again last month, it gave a fantastic opportunity to rewatch it and review it. After Hours directed by Martin Scorsese in 1985, is a darkly comedic exploration of one man’s surreal and nightmarish journey through the streets of New York City. With its frenetic pacing, eccentric characters, and Kafkaesque plot, the film immerses viewers in a world where every turn leads to increasingly bizarre and absurd situations. Set over the course of one long, eventful night, the story follows Paul Hackett (played by Griffin Dunne), a mild-mannered office worker who finds himself trapped in a series of misadventures after a chance encounter with a mysterious woman named Marcy (played by Rosanna Arquette). As Paul navigates the surreal landscape of downtown Manhattan, he encounters a colourful cast of characters, including eccentric artists, eccentric bartenders, and a vigilante mob, all of whom seem determined to thwart his attempts to return home. Scorsese’s direction is masterful in its ability to create and sustain a sense of escalating tension and unease. The film’s use of claustrophobic cinematography and discordant music adds to the feeling of paranoia and disorientation that permeates every scene. As Paul’s night goes from bad to worse, the audience is kept on the edge of their seats, never quite sure what twist or turn the story will take next. At its heart, After Hours is a black comedy that explores themes of alienation, urban isolation, and the absurdity of modern life. Paul’s descent into chaos serves as a darkly humorous commentary on the randomness and unpredictability of fate, as well as the often-absurd nature of human behaviour. The performances in After Hours are uniformly excellent, with Dunne delivering a standout performance as the hapless protagonist. His portrayal of Paul as a man caught in a Kafkaesque nightmare is both sympathetic and darkly funny, and he manages to convey a sense of mounting panic and desperation without ever veering into melodrama. In all truth I’d recommend checking out ‘After Hours’ and see what you think of it, I shall give it a score of Four Stars. You can buy ‘After Hours’ for €3.99 on YouTube. Director: Martin Scorsese – Rating: R – Genre: Comedy/Thriller – Run Time: 1h 37m Language: English. For more film content please follow @movies4fanatics on Instagram.
By Jack Shanley
Deep End is about British culture in London when the optimism of the “Swinging Sixties” started to fade. It’s a fantastic film that delves into the perspective of a young boy named Mike (John Moulder-Brown) and his obsession with not just women but essentially one woman in a coworker named Susan (Jane Asher). There is this infatuation that grows to pure obsession that I can’t help but get lost in. For me most of the truly great and rather interesting films all delve into the topic of obsession. It’s this mentality that someone is so focused on something or someone for instance that it becomes compulsive as they lose control of their emotions and never is it more evident than in Skolimowski’s Deep End. Most movies from the 70s showed the 60s as a bubble of shining positive thinking and star-studded youth developments. Skolimowski reveals the dark side of young peoples lives, how their lives are not important, and a sexual desire. Mike throughout the movie thinks about investigating the broken life and relationship of Susan, but it leads to his pure frustration getting him nowhere. When watching the film, you spend a lot of time taking in all the gorgeousness Skolimowski has on offer. His use of texture is fantastic. There is an amazing scene, towards the end of the movie, where Mike and Susan are lying on a bed of towels and sheets that are placed in such a way to foreshadow an underwater swirling effect seen later in the film The director’s diligence is amazing. The costumes in this film are also excellent. Deep End is a remarkably interesting movie. It is surprising that Skolimowski’s movie was not a big success at the time, although the studio didn’t promote it well enough. It’s a film that holds up to this day as an underrated classic. In all truth I’d recommend checking out Deep End and see what you think of it, I shall give it a score of Five Stars. You can buy Deep End for €10 on eBay. Director Jerzy Skolimowski – Rating: R – Genre: Romance/Comedy – Run Time: 1h 30m Language: English. For more film content please follow @movies4fanatics on Instagram.
By Jack Shanley
“All of us Strangers,” directed by acclaimed filmmaker Andrew Haigh, is a thought-provoking and emotionally charged drama that delves into the intricate web of human connections. Released in 2023, the film skilfully weaves together the lives of seemingly unrelated characters, exploring themes of loneliness, alienation, and the quest for meaningful connection. All of us strangers is a film that captures the beautiful essence of encountering a lost loved one in a dream. Many films have come along about grief but none like this. It’s a sensual, romantic and yet heartbreaking look at life through the eyes of an everyday man whose life has never really turned out the way he wanted. With extraordinary performances from both Andrew Scott and Paul Mescal the film really shapes out to put you on an emotional Journey. All of us Strangers unravels as a simple yet strange narrative exploring themes of isolation, identity, grief, and the lingering ghosts of one’s past. I found this film to be profoundly captivating, with its dreamlike atmosphere, heartbreaking moments, and a touch of melancholy adding to its beauty. With 2023 having some impressive films ‘All of us Strangers’ is way up the list amongst the best of 2023. Its with films like this that shall stay with you forever, only be different as you get older with every viewing of it, it shall remain the same film but is only different as you’ve changed, this for me is the pure definition of cinema. In conclusion, “All of us Strangers” is a compelling exploration of the human experience. Andrew Haigh’s directorial prowess, coupled with a stellar cast and a fantastic script, makes this film a poignant and relevant piece of cinema that will leave audiences contemplating the intricate dance of human connection long after the credits roll. In all truth I’d recommend checking out “All of us Strangers” at your local cinema and see what you think of it, I shall give it a score of Four stars. Director Andrew Haigh – Rating: 16 – Genre: Romance/Fantasy – Run Time: 1h 45m Language: English. For more film content please follow @movies4fanatics on Instagram.
By Jack Shanley
Maestro, directed by acclaimed Actor and filmmaker Bradley Cooper is a captivating cinematic experience that transcends the boundaries of traditional 2023, the film delves into the tumultuous life of renowned conductor Leonard Bernstein, storytelling. Released in portrayed with brilliance by Oscar nominated actor Bradley Cooper. Maestro not only provides an intimate glimpse into the world of classical music but also explores the beautiful relationship Leonard had with Chilean-Costa Rican actress Felicia Montealegre (Carey Mulligan). The film unfolds as a seamless blend of flashbacks and present-day sequences, unravelling Bernstein’s journey from a prodigious young musician to a maestro whose genius is matched only by the shadows of his past. Coopers’ performance is nothing short of fantastic, as he navigates the character’s highs and lows with a nuanced grace that elevates the film to new heights. His portrayal of Leonard Bernstein’s passion for music, coupled with the internal struggles that threaten to consume him, creates an amazing yet emotional narrative. Bradley Coopers direction is a testament to his skilful storytelling, as he weaves together the threads of Leonard Bernstein’s life with a delicate touch. The film’s pacing is masterfully orchestrated, allowing the audience to immerse themselves in the rich tapestry of the life of a great Composer. From the grandeur of concert halls to the quiet moments of introspection, Cooper captures the essence of each scene with a visual finesse that mirrors the elegance of classical music. Maestro’s supporting cast is equally commendable, with standout performances from Carey Mulligan who at times steals the show as Bernstein’s devoted but conflicted wife. The chemistry between the actors enhances the film’s emotional depth, adding layers to the intricate web of relationships that shape Bernstein’s world. The film’s cinematography, helmed by the visionary lens of Matthew Libatique, is a visual symphony that complements the musical narrative. Each frame is a work of art, capturing the sweeping grandeur of concert performances and the intimate moments of vulnerability with equal finesse. The use of light and shadow enhances the emotional feel for the story, creating a visual language that speaks volumes alongside the musical score. Speaking of the score, Maestro’s soundtrack, is beautifully composed and is a character in itself. The classical compositions evoke a range of emotions from melancholy to triumph. The wonderful score becomes the heartbeat of the film, underscoring the highs and lows of Bernstein’s journey with a sublime elegance. In all truth I’d recommend checking out ‘Maestro’ on Netflix and see what you think of it, I shall give it a score of Four stars. Director: Bradley Cooper– Rating: 15 – Genre: Romance/Musical – Run Time: 2h 9m Language: English. For more film content please follow @movies4fanatics on Instagram.
By Jack Shanley
With Christmas just around the corner its only right to light up your Christmas with this timeless classic by the great Frank Capra. James Stewart astounds us as George Bailey with the beautiful Donna Reed oozing that festive feeling. Regarded as one of finest films ever made, it sure is a good family film and for me it is the pure definition of Christmas. With ‘It’s a Wonderful Life’ Frank Capra essentially paints the most beautiful picture of life that no matter how many times you look at it its still so powerful bringing you closer to life. Its with this classic that proves how beautifully powerful cinema truly is that no words can speak loud enough to make you feel the way the film does. It’s the journey Capra takes us on from George Bailey (James Stewart) as a boy to a grown man, with these great plans to conquer the world and essentially live the life of dreams, that just never happens for him and for us all. With this ‘It’s a Wonderful Life’ is still so relevant today after all these years. I’m not shy to say it’s a film that may lead to you shedding a few tears, throughout the film but especially in its final act. With an Angel in Clarence sent to George Bailey (James Stewart) to make him see his life essentially if he hadn’t been born makes you see your life the same way, with that it makes you happy to exist. The film has its humour romance and its ever-enduring scenes, from the classic dance scene which starts with the startling look both Donna Reed and James Stewart give each other to the frustration in the bank on their Wedding Day and on to the final act which speaks for itself. This high-spirited Christmas classic ranks among fans and critics alike as one of the most loved and celebrated films ever made In all truth I’d recommend checking out ‘It’s a Wonderful Life’ and see what you think of it, I shall give it a score of Five stars. Director: Frank Capra – Rating: G – Genre: Drama/Comedy – Run Time: 2h 10m Language: English. For more film content please follow @movies4fanatics on Instagram
By Jack Shanley
The Exorcist: Believer is a prime example of how a once-beloved horror franchise can lose its way. Clocking in at just over two hours, this film feels like an eternity of clichés and jump scares that fail to deliver any real terror. The plot, which attempts to rekindle the demonic horror of the original film, is a convoluted mess. It follows a group of ill-fated individuals who stumble upon an ancient artifact that supposedly holds the key to unleashing the ultimate evil. As they unwittingly awaken a demonic force, were subjected to a series of overly predictable events, from eerie whispers in the dark to objects moving on their own. The film leans heavily on the tropes of the genre without bringing anything fresh or innovative to the table. One of the major drawbacks of is the lacklustre character development. The ensemble cast, which includes some seasoned actors, is given very little to work with. They are reduced to mere vessels for the demon’s malevolence, making it impossible to invest in their fates. Theres no emotional connection to these characters, and their struggles are lost in a sea of uninspired dialogue and wooden performances. The special effects, while technologically advanced, fail to impress. The CGI-heavy sequences often come across as overdone, distracting from any genuine horror the film might have hoped to achieve. Moreover, the reliance on jump scares grows tiresome as they become predictable, offering little more than momentary jolts. The film’s pacing is a significant issue as well. It struggles to maintain a consistent atmosphere, vacillating between slow, plodding exposition and frenetic, chaotic scenes. This inconsistency disrupts the build-up of tension and ultimately dilutes the horror. In conclusion, The Exorcist: Believer is a forgettable addition to the once-proud franchise. It lacks the storytelling depth and character development that made the original a classic. With a disjointed plot, uninspired performances, and an overreliance on worn-out horror tropes, this film misses the mark in delivering genuine scares. In all truth I’d recommend checking out The Exorcist: Believer and see what you think of it. I shall give it a score of two stars. Director: David Gordon Green – Rating: R– Genre: Horror/Supernatural – Run Time: 1h 51m – Language: English. For more film content please follow @movies4fanatics on Instagram/
Editor’s note. Jack’s opinion on this film is his alone based on his vast knowledge of film and does not necessarily reflect the opinion or views of the owners, management or staff of Local Magazine. We suggest you do as Jack recommends and go and view the film yourself and form your own views.
By Jack Shanley
A raw terrifying film, said to be the scariest film ever made, but does it live up to those 50 years on from its original release? The answer well for me at least is yes. It is such a well-directed film…so patient in its pacing flawlessly acted, with brilliant editing and cinematography that really add to the eerie atmosphere of the film. Every shot, every cut is deliberate. The composition of each shot is perfect. Every element of each scene is utilized to its full capacity in each shot, and nothing in a shot lingers for too long, or too short of a time. It gives you just enough to make you feel uneasy.
The Exorcist isn’t just a typical ‘girl is possessed’ film. It is much more involved and deeper than that. For much of this film you question if Regan is just crazy or if she is actually possessed. Even during the exorcism scene, the priests are fully convinced she is even possessed. Which gets to the heart and core of the film: it is a film about faith. Despite the religious nature of the film, there is quite a bit of science and psychology involved to make even the most religious people question how realistic their beliefs really are. And despite all this doubt and questioning of faith during the film, the exorcist puts all their conceived notions, beliefs, and logic aside, taking a leap of faith to try to save Regan in one of the greatest climaxes in all of cinema. It didn’t feel like an exorcism just for the sake of an exorcism, it felt earned. With a new Exorcist film on the horizon ‘The Exorcist: Believer’ and the sad recent passing Exorcist director and cinema great William Friedkin, now is a great time if any to watch the horror masterpiece. The Exorcist is being screened for its 50th Anniversary in the Light House Cinema in late September into early October. In all truth I’d recommend checking out The Exorcist and see what you think of it, I shall give it a score of five stars. Director: William Friedkin – Rating: 18 – Genre: Horror/Thriller – Run Time: 2h 12m – Language: English. For more film content please follow @movies4fanatics on Instagram.
By Jack Shanley
‘Oppenheimer’ is a breathtaking masterpiece and perhaps one of the finest biopics ever made. Christopher Nolan manages to yet again skilfully combine the elements of action, audio, acting, direction, and scene design into an unforgettable cinematic experience, proving once again why he is one of the greatest directors of our time. Christopher Nolan’s visionary film making is mesmerising, with the movie taking audiences on an electrifying journey weaving together heart- pounding action sequences, exceptional performances, stunning visuals, and the very meticulous direction. Incredible performances from all including quite extraordinary performances from both Robert Downey Jr. and Emily Blunt. It’s one of our own in Cillian Murphy who truly steals the show with a mesmerising performance that is Oscar worthy. It is those big blue eyes, the stern look, you can really feel the stress that J. Robert Oppenheimer was put under. What makes the film so captivating is this story of a man with weight of the world on his shoulders and the idea that you either view J. Robert Oppenheimer as a hero or villain, it’s just fascinating. From the very very beginning, the film grips you with its captivating storytelling and seamless blend of the historical accuracy and cinematic artistry. The narrative unfolds chronologically, taking the audience on an enthralling journey through Oppenheimer’s early life, his academic pursuits, and eventually, his pivotal role in the development of the atomic bomb during World War II. The experience I had in the cinema was riveting, pure cinematic magic as It’s a film you must see in IMAX. I felt locked into the movie as if I was taken back in time to the 1940’s. The film score complements the truly emotional depth of the story, heightening every scene’s impact and leaving a lasting impression on the viewers minds. With ‘Oppenheimer’ being quite dense. I’d suggest perhaps maybe you watching a documentary before going to see it. Lastly, I’ll finish by saying ‘Oppenheimer’ isn’t merely a biopic about a renowned physicist; it transcends into a thought-provoking exploration of the human condition. In all truth I’d recommend checking out Oppenheimer and see what you think of it, I shall give it a score of five stars. Director: Christopher Nolan – Rating: R – Genre: Drama/Thriller-Run Time: 3h – Language: English. For more film content please follow @movies4fanatics on Instagram.
by Jack Shanley
Daunting disturbing and chilling Vertigo remains a masterpiece. 55 years after its original release and with it being shown later this month in the lighthouse Cinema Alfred Hitchcock’s mesmerising fascinating masterpiece still moves audiences today. Arguably Hitchcock’s best film it’s still fascinates me every time I see it. It’s the study of obsession that keeps the material so fresh and new. Its Johns (James Stewart) obsession that drives the story on and keeps us hooked from the second we see the dizzying spirals of the opening credits sequence. Although story was arguably the most important part of a Hitchcock film, with Vertigo its quite different. It’s the emotions, characters, themes that pull a story together. I’ve seen this work with many films and find it quite interesting, as a film it could have a basic story but it lives off its character development etc. This is the film that introduced the World to the famous sequence known as the Vertigo Effect which has gone on to be used in various other films. It;s basically a forward zoom with a reverse dolly meant to achieve a disorienting effect of shifting perspectives. Vertigo also happens to be Hitchcock’s most personal picture, burrowing deep into the directors own darkest wormholes: obsessions with women, the desire to control them, and to mould them into a personal ideal. The psychologically complex material is played off incredibly well by James Stewart who we sympathize with and a chilling Kim Novak performance. With the colours dazzling, and Bernard Herrmann’s extraordinary score as crisp and haunting as ever, its surely a must watch. In all truth I’d recommend checking out Vertigo as its screens in the Lighthouse Cinema on August 20th and see what you think of it, I shall give it a score of five stars. Director: Alfred Hitchcock– Rating: PG – Genre: Mystery/Thriller – Run Time: 2h 8m – Language: English. For more film content please follow @movies4fanatics on Instagram.
By Jack Shanley
The masterful A24 director Ari Aster is back on the big screen with yet another strange work of art, perhaps the strangest yet. “Beau is Afraid” from start to finish is about the long whacked out journey of an anxious man on his quest to visit his mother. Joaquin Phoenix stars picking up the role of a very abstract and complex character. Let’s just get it out the bag, this film is a dream like experience first and foremost. It’s quite overwhelming and even suffocating for its audience at times. This plays off so well, as not everything is meant to be taken literally! On the surface, there are generally many black comedy themes, with a melodramatic undertone. It’s been crafted meticulously by Ari Aster at 3 hours, making it feel richer and more detailed. Many of the films moments are left engrained into your thoughts well after the run time. With a bigger budget then his previous works “Hereditary” and “Midsommar” I thought helped with the landscape and wacky scenarios in the film. Overall, “Beau Is Afraid” is Aster’s most ambitious film to date. Although it’s the not raw and experimental horror we endured in his previous works, it still makes for an unforgettable experience and feeling that is often missed in Arthouse films these days.
This is definitely Ari Asters most complex and allegorical film, everything in this film is strange, the interpersonal relationships, the way the story is told, the dialogues, the universe of the film, everything is very strange without any logic, and in my understanding, all this represents the unbalanced and paranoid mind of our protagonist Beau. I feel the movie is essentially a look at the world through the eyes of a man terrified of his own existence.
In all truth I’d recommend checking out Beau Is Afraid at your local cinema today and see what you think of it, I shall give it a score of three stars. Director: Ari Aster– Rating: 16 – Genre: Horror/Comedy– Run Time: 2h 59m – Language: English. For more film content please follow @movies4fanatics on Instagram.