By Jack Shanley
“From the World of John Wick: Ballerina” carves out a compelling, if at times familiar, corner within the revered John Wick universe. Starring Ana de Armas as Eve Macarro, a vengeance-driven assassin, the film embraces the franchise’s signature blend of hyper-stylized action and intricate underworld lore, while attempting to forge its own identity.
The narrative centres on Eve, a ballerina trained in the deadly traditions of the Ruska Roma, as she hunts down those responsible for her father’s murder. The film opens with a brutal flashback, immediately establishing Eve’s profound grief and the genesis of her relentless pursuit of retribution. This personal stake lends emotional weight to the otherwise gloriously chaotic action sequences. De Armas delivers a committed performance, channelling a simmering rage that fuels her character’s every move. The film smartly intercuts gruelling ballet practice with combat drills, visually linking the artistry of dance to the brutal precision of assassination.
Fans of the John Wick saga will find much to appreciate. The familiar neon-drenched aesthetics, the subtle hints at the vast network of assassins, and the strict adherence to the High Table’s rules are all present, enriching the world without overshadowing Eve’s journey. Keanu Reeves also makes a welcome, albeit brief, cameo, effectively passing the torch while maintaining the narrative’s focus on Eve.
Where “Ballerina” truly shines is in its inventive action choreography. From flamethrower duels to ice-skate bayonets, the film consistently delivers fresh and dynamic fight sequences. There’s a particular standout moment where Eve navigates a nightclub, leaving a trail of destruction that forces the audience to “reverse engineer” the unseen carnage. This clever subversion of expectations, coupled with her resourceful use of everyday objects as lethal weapons, keeps the adrenaline flowing.
However, the film isn’t without its minor missteps. The plot, while offering some unexpected turns in its latter half, occasionally veers into the familiar “revenge story” tropes. Some supporting characters, particularly the main antagonist Gabriel Byrne’s Chancellor, feel somewhat underutilized given the talent involved. Despite these small criticisms, I’d recommend checking out “Ballerina” and see what you think of it; I shall give it a score of FOUR stars. You can watch it at your local cinema today. Director: Len Wiseman – Rating: 15A – Genre: Action/Thriller – Run Time: 2h 5m Language: English. For more film content please follow @movies4fanatics on Instagram.